Rooms that hold a life
We design interiors for people who already own things they love, and want a room built around them rather than in spite of them.
Every project starts with what is staying: the art, the inherited chair, the books. The rest is drawn to fit.
- Full interior design
- Furniture & sourcing
- Art placement & hanging
- Millwork & joinery
- Renovation coordination
Project 01
Chelsea, New York
The Chelsea
Apartment
A two-bedroom apartment reworked around a collection of postwar prints and paintings. Warm rift oak, teak and leather carry the palette; the walls stay quiet so the art can be loud.
- LocationChelsea, New York
- ScopeFull interior
The apartment is finished, which is to say it is lived in. Nothing here is arranged for the photograph.
Palette, drawn from the rooms
Plaster
#DFDAD1
Jute
#CABEAC
Rift oak
#AE8251
Leather
#835A35
Teak
#573A24
Project 02
Fire Island Pines, New York
The Pines
House
A 1970s cedar beach house by Horace Gifford, furnished rather than renovated. The architecture already does the work, so the brief was restraint: nothing that competes with the wood, the glass or the light coming off the deck.
- LocationFire Island Pines
- ArchitectureHorace Gifford
- ScopeInteriors & furnishing
Cedar takes the colour out of everything you put against it. The palette here is only three notes: grey, jute, and whatever the trees are doing outside.
Palette, drawn from the rooms
Sea glass
#C5CACD
Sand
#AE9D8B
Weathered cedar
#887468
Redwood
#73513E
Ember
#532C1A
Project 03
Flatiron, New York
The Flatiron
Penthouse
A duplex penthouse with limestone-plaster walls, a coffered stair hall and a planted terrace over the avenue. Antiques, folk art and a live-edge slab sit together without anyone announcing a period.
- LocationFlatiron, New York
- ScopeFull interior
Palette, drawn from the rooms
Sky
#E1E2E2
Limestone
#C7BEB5
Plaster
#A2998E
Mahogany
#69522E
Boxwood
#30321E
Project 04
Bedford–Stuyvesant, Brooklyn
The Bed-Stuy
Townhouse
Two rooms at opposite ends of the same house, currently in construction. The kitchen is quiet and modern, white oak against a black soapstone slab, with the garden framed like a picture over the sink. The powder room is the opposite argument: willow paper on every surface, brass, and a checkerboard floor.
- LocationBedford–Stuyvesant
- ScopeKitchen & powder room
- StatusIn construction
- ImagesRenderings
A small room is the one place worth losing your nerve over. Nobody stands in a powder room long enough to tire of it.
Palette, drawn from the rooms
White oak
#AC845D
Willow
#817452
Sage
#747355
Olive
#616740
Soapstone
#1E190F